CHARANGOS DE NUEVA TESITURA Se trata de
Transcripción
CHARANGOS DE NUEVA TESITURA Se trata de
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Charango de doblar del autor 135 :gcZhid8Vkdjg6gVbVnd B>MIÓ;DCDH =ZbdhegdejZhidZcVciZg^dgZhigVWV_dh9^XX^dcVg^d:cX^XadeY^XdhYZadh >chigjbZcidh Bjh^XVaZh YZ 7da^k^V! n Adh >chigjbZcidh Bjh^XVaZh YZ 7da^k^V! 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XVb^cZ edg Za bZgXVYd! h^ZbegZ ]Vn Z_ZbeaVgZh V Y^hedh^" X^c# :c ZhiV X^jYVY ]Vn bjX]dh X]VgVc\jZgdh ZheZX^Va^oVYdh Zc aV XdchigjXX^c YZ X]VgVc\dh Xdbd aV [Vb^a^V YZa bVZhigd 6aZ_VcYgd 6a^ZcYgZ!aV[Vb^a^VYZabVZhigd7d" akVg n digdh# IVbW^c hZ ZcXjZc" igVcaVhedWaVX^dcZhYZ8VXVX]VXV Vendedor de khonkhotas, localidad de Siglo Veinte y n adh 8Zcigdh b^cZgdh# DWhZgkV" Llallagua. Potosí 1995. Foto: Junko Seto X^c&.+)"&..* :caVX^jYVYYZAVEVo!hZadhZmeZcYZVadaVg\dYZaVhXVaaZh/HV\{gcV\V YdcYZadhXVggdheVhVcYZejci^iVhedggZheZidVadhX]VgVc\j^idh!A^cVgZh!HVciV 8gjo!Bjg^aad!>aaVbej0ZcaVh\VaZgVhVgiZhVcVaZhYZaVEaVoVHVc;gVcX^hXdn EaVoVYZadh=gdZhcjcXV[VaiVc#IVbW^cZcZa¸i]VciV`]Vid¹bZgXVYdYZ XdhVhk^Z_VhZcaVhXVaaZhEZYgdYZaV<VhXVnK^XZciZDX]dVVciZhWVgg^dX]^cd hZ adh ZcXjZcigV cjZkdh! k^Z_dh n jhVYdh0 YZhejh YZ aVh + YZ aV iVgYZ# 8VYV VdeVgVZa')YZZcZgdhZXZaZWgVaVigVY^X^dcVa;Zg^VYZ6aVh^iVhXdbegVbZ! 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Primer premio categoría mayores. h^cdÃX^VaYZaV[Zg^V# Aiquile 1986 153 :gcZhid8Vkdjg6gVbVnd CddWhiVciZ!fjZZcZabZh bVndYZ&..-6^fj^aZ[jZVod" iVYV edg jc bdk^b^Zcid hhb^" XdYZ\gVcbV\c^ijYfjZYZ_aV X^jYVYZcgj^cVhnb^aZhYZed" WaVYdgZh h^c k^k^ZcYV! aV ¸;Zg^V n;Zhi^kVaYZa8]VgVc\d¹h^\j^ hj Xjghd hdWgZ aVh gj^cVh YZ aV X^jYVY! Zc cdk^ZbWgZ YZa b^h" bdVd# :hiV;Zg^VhZ]VXdckZgi^YdZc jcZkZcidigVhXZcYZciVa!YZW^Yd V hjh aVg\dh Vdh YZ Zm^hiZcX^V Participante a Ñusta. Festival 2007 n V hj XdckdXVidg^V! gZcZ V bjX]dh c^dh! _kZcZh! VYjaidh ^cigegZiZhnVjcV\gVcXVci^YVYYZbVZhigdhXdchigjXidgZh#:hiZ;Zhi^kVaZcaV VXijVa^YVY\doVYZjc\gVcegZhi^\^d!hZgZVa^oVVdigVhVdadheg^bZgdhYVhYZ cdk^ZbWgZ!VegdkZX]VcYdaVXZaZWgVX^cYZIdYdhHVcidh;^ZhiVYZadhY^[jc" idh!i^ZcZaVeVgi^XjaVg^YVYYZgZjc^gVidYdhadheV^hVcdhV^fj^aZdhfjZaaZ\Vc Exposición de charangos. “Concurso de Fabricantes”. 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Vjidg^YVYZh YZa bjc^X^e^d ZcXVWZoVYdh edg hj VaXVaYZ 9g# Aj^hAeZo6gch!^c^X^VgdcjcVYZaVhdWgVhb{hh^\c^ÃXVi^kVhYZ6^fj^aZ!aV XdchigjXX^cYZaBDCJB:CID6A8=6G6C<D!XdcjcVadc\^ijYfjZVaXVcoV V&*bZigdh!Zc^cbZY^VX^dcZhYZaeVhZdYZ¸:a@_dX]^¹!YdcYZ[jcX^dcVg{Za iZVigdVaV^gZa^WgZ# :a'%%(!aVY^gZXi^kVYZaVHdX^ZYVY7da^k^VcVYZa8]VgVc\dH#7#8#hj\^g^ VaVhVjidg^YVYZhV^fj^aZVhaVVbea^VX^cYZa;Zhi^kVa^cXajnZcYdaVXViZ\dgV >ciZgcVX^dcVa! Zc aV fjZ eVgi^X^eVc ^cigegZiZh YZ eVhZh kZX^cdh! YZ :jgdeV n ZheZX^VabZciZ YZa ?Vec# 6h^b^hbd Za '%%)! aV H#7#8# hj\^g^ ^cXdgedgVg aV XViZ\dgV¸@»VaVbeZVYd¹gVh\jZVYd#6aV[ZX]VZhidhZkZcidhhdcgZVa^oVYdh XdcidYdm^idn\gVcZmeZXiVi^kV# 155 :gcZhid8Vkdjg6gVbVnd 6CO6A9D Iglesia de Anzaldo. 1978 Maestro Crecencio Pardo. Anzaldo 1978 AVeZfjZVX^jYVYYZ6coVaYd!hZ\jcYVhZXX^cYZIVgViV!YZaKVaaZ6aid YZ8dX]VWVbWV!hZXVgVXiZg^oV!Va^\jVafjZaVX^jYVYYZ6^fj^aZ!edghZgjcd YZ adh XZcigdh YZ bVndg egdYjXX^c YZ X]VgVc\j^idh aVb^cVYdh Xdc ZheVaYV eaVcV!fjZhdcaaZkVYdheVgVhjkZciVVedWaVX^dcZhVaiVhYZ8dX]VWVbWV!eZgd ZheZX^VabZciZVgZ\^dcZhedidh^cVhndgjgZVh!h^ZcYdhidhadhegZ[Zg^Ydhedg adhXVbeZh^cdhnb^cZgdh# :c&.,.fjZYVWVcXdbdjcVh&-X]VgVc\jZgVh!ZcjcVedWaVX^cYZ&#%%% ]VW^iVciZh!hdgegZcY^cYdcdhbjX]dVahVWZgfjZ]VXZY^ZoVdhVciZhZm^hiVc bjX]VhdigVhb{h#AdhX]VgVc\jZgdhXjaeVcVaVXdbeZiZcX^VfjZaaZ\YZdigdh aj\VgZh!dg^\^cVcYdZaWV_dXdhidYZX]VgVc\j^idh!iZc^ZcYdXVYVZ_ZbeaVgXdbd egZX^d!VaedgbVndg!Vegdm^bVYVbZciZ(YaVgZhVbZg^XVcdh&`^adYZXVgcZ YZ gZh! dg^\^cVcYd! Za mdYd YZ Va\jcdh VgiZhVcdh# BjX]dh XdchigjXidgZh YZ ZhiZkVaaZ]Zgbdhd!^ciZgXVaVcZadÃX^dYZX]VgVc\jZgdhXdcZaYZV\g^XjaidgZh# HjZheZX^Va^YVYZhaVXdchigjXX^c YZ X]VgVc\j^idh aVb^cVYdh! i^ed \j^iVgg^iVh YZ jcV hdaV bZY^YV! hjh XdchigjXidgZh hdc dg\jaadhdh YZ hj ¸ejcid¹ Y^VeVhc W^Zc XVa^WgVYd _VXi{cYdhZ YZ aV WjZcV kdo YZ hjh ^chigjbZcidh! Xdch^YZgVYdh b{h hdcdgdhfjZadhV^fj^aZdhX]VgVc\dh aaVj`»ZVYdh# Jcd YZ adh \gVcYZh bVZhigdh Zc adh ai^bdh i^Zbedh [jZ Ydc EZYgd EVgYd ! c# &-.*! fj^Zc YZ_ aV ]ZgZcX^VVhj]^_d8gZXZcX^dEVgYd! Maestro Paulino Soto. Anzaldo 1978 156 :A8=6G6C<D c# &.&.! Xdc b{h YZ )* Vdh YZ XdchiVciZ igVWV_d n V jc XZciZcVg YZhdWgZhVa^ZciZhhZ\j^YdgZhYZadh XjVaZh hZ YZhiVXVc/ ?ja^{c EVgYd! EVja^cd Hdid! EZYgd KZ^oV\V! 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WV_d aV Y^gZXX^c YZa cdiVWaZ bVZhigd [jZ YZX^h^kV Zc Y^X]d ZkZcid! edgfjZ igV_Zgdc eVgV 7da^k^V jcV Panorámica de Villa Serrano 1979 \VbV YZ eg^bZgdh egZ" b^dh Xdbd jc ]dbZcV_Z VZhZVgiZZmigVdgY^cVg^dYZK^aaVHZggVcdfjZXVji^kVaeWa^XdVh^hiZciZ# K^aaV HZggVcd Zh XVe^iVa YZ aV egdk^cX^V 7Za^hVg^d 7dZid YZa YZeVgiVbZcid YZ8]jfj^hVXV!Zhi{V'#%)%bZigdhYZVaijgVhdWgZZac^kZaYZabVgXdcjcV iZbeZgVijgVbZY^VYZ&,XZci\gVYdh#:cZhiVX^jYVYhZZcXjZcigVc^ciZgZhVciZh YZXdgVYdhfjZ9dcBVjgdadhaaVbZa¸8]VgVc\db{h<gVcYZYZaBjcYd¹!Za ¸7dbWdB{h<gVcYZYZaBjcYd¹nVa\jcVhdigVhdWgVhiVaaVYVhZcbVYZgVedg ZhiZ\gVcVgi^hiV# 6aZcigZk^hiVgcdhXdcZahZdg ?jVc BVcjZa 8Vhigd YZ ,' Vdh! cVijgVa YZ EVY^aaV n fjZ k^kZ Zc HZggVcd YZhYZ Za Vd &.'*! dWijk^bdh ZhiVh YZXaVgVX^dcZh/ ¸6ci^\jVbZciZ ZhiV gZ\^c hZ aaVbVWV/ 8]Vaa]jV BVnj fjZ fj^ZgZYZX^gEjZWadYZEZhXVYdh! edhiZg^dgbZciZ HVc B^\jZa YZ aV FjZWgVYV!ajZ\dZc&-'&HZggVcd! egde^ZYVY fjZ [jZ YdcVYV Zc [VkdgYZaejZWadWV_dZaXdckZc^d fjZ hjh ]VW^iVciZh eV\VgVc &% XZciVkdheVgVhdhiZcZgVabVZhigd Calle de Villa Serrano 1979 YZjcVZhXjZaV¹# 158 :A8=6G6C<D :c ZhiV K^aaV k^h^iV" bdhXjVigdiVaaZgZh/igZh YZY^XVYdh V aV ZhXjZaV YZ BVjgd CZo! egd" bdidgYZadhX]VgVc\dh iVaaVYdh Adh HVcYV" \dgYV adh aaVbVc X]V" gVc\dh bdYZgcdh n jc iVaaZg YZY^XVYd Va VgiZ igVY^X^dcVa# Adheg^cX^eVaZhY^[j" hdgZh d ^chigjbZci^hiVh hZggVcdh hdc/ LVaiZg BdciZgd! GV^bjcYd :heVYVd8]jid:heVYV! Trabajos del Maestro Edmundo Espada Solíz. 1977 adh =cdh# HVcYV\dgYV k^kZc Zc HjXgZ! 9Vc^Za BdnV HVcidh! <ZgVgYd EVgZ_V n =cdh# k^kZc Zc AV EVo!nZabVZhigdGdYda[d<gVoFj^ciVc^aaVYZaVZhXjZaVYZaX]jfj^hVfjZd ?jVcB^\jZo# 8dbdjc]{W^idXdi^Y^VcdidXVcZaX]VgVc\j^ididYdhadhXVbeZh^cdhYZEj" XVeVbeV!IZbedgVa!6\jV7aVcXV!EZV7aVcXV!CjZkdBjcYd!HVc>h^Ygd!ZiX#0 iVbW^cYZZhiVhgZ\^dcZhaaZkVcadhWjhidhdXjX]VgdcZhYZbVYZgVVK^aaVHZggV" cd!eVgVfjZhZVcadhbVZhigdhX]VgVc\jZgdhfj^ZcZhadhiVaaZcniZgb^cZc#:cigZ" k^hiVh &.,-# 8VWZ YZhiVXVg Zc ZhiV gZZY^X^c '%%, fjZ Za 8]VgVc\d B{h <gVcYZ YZa BjcYdhZXdck^gi^ ZcjcVgZVa^YVYhd" cdgVXdcjcVadc\^" ijY YZ +#&( b# edg &#(%b#!^chXg^idZc Zaa^Wgd<j^ccZhGZ" XdgY Za Vd '%%*# 6agZheZXidiZcZbdh jcXVeijadZheZX^Va eVgVZhiZiZbV# Llauk’eados y tallados. Autor Delín Sandagorda. 1977 159 :gcZhid8Vkdjg6gVbVnd ;:HI>K6A9:A8=6G6C<D¸B6JGDCÖx:O8Ì8:G:H¹ ;jZ Za Vd &..*! fjZ \gVX^Vh V aV ej_VcoV YZ jc \gjed YZ _kZcZh egd" [Zh^dcVaZh ZcigZ Zaadh KXidg Dci^kVgZh! :Yl^c 6giZV\V! <VWg^Za <ji^ggZo! ?Z" hhJg^dhiZ!<dcoVad;adgZh!6j\jhidBda^cVnKXidg8VaVc^!ad\gVcdg\Vc^oVg n aaZkVg VYZaVciZ Za EG>B:G ;:HI>K6A 9:E6GI6B:CI6A 9:A 8=6G6C<D ¸B6JGDCÖx:O8#¹!gZVa^oVYdZcK^aaVHZggVcdadhYVh',n'-YZhZei^Zb" WgZXdciVcYdXdcZaVedndZXdcb^XdYZaV:bWV_VYVYZ=daVcYV!8ZgkZXZgV HjgZV!:bWdiZaaVYdgVHVak^Zii^0;{Wg^XVYZHdbWgZgdh8]jfj^hVXV!8VhVBjc^" X^eVaYZaV8jaijgVYZHjXgZ0GZh^YZciZhHZggVcZchZhnejZWadZc\ZcZgVa#Digd VedgiZ [jZ YZ aV AZn YZ EVgi^X^eVX^c EdejaVg! fjZ d[gZX^ Za bVgXd egde^X^d eVgV XdchZ\j^g aV eVgi^X^eVX^c YZ Vgi^hiVh YZa X]VgVc\d gZegZhZciVcYd V adh Y^[ZgZciZhBjc^X^e^dhYZaYZeVgiVbZcidYZ8]jfj^hVXV# EVgVaZaVbZciZ V ZhiV VXi^k^YVY! cZiVbZciZ [da`ag^XV! hZ aaZk VYZaVciZ aV Zmedh^X^c n kZciV YZ VgiZhVcVh egde^Vh YZ aV egdk^cX^V! 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Foto anónima. 1968 i^ZcZ d[ZchVh V adh hZci^Ydh# 6a XdcigVg^d!VaX]VgVc\j^hiVjgWVcd \ZcZgVabZciZ aZ XjZhiV iZbeaVg eZg[ZXiVbZciZ hj ^chigjbZcid! YZW^YdVaV_ZigZdfjZi^ZcZZadÃ" X^dYZX]VgVc\j^hiVYZZhXZcVg^d! hidh i^ZcZc fjZ V_jhiVghZ Va jhd YZ VÃcVYdgZh ZaZXigc^Xdh bd" YZgcdh fjZ igVZc \ZcZgVabZciZ YZa ?Vec! iZbeaVcYd hjh ^chigj" bZcidh Va A6 ))% =# d W^Zc A6 )(-=# 164 Campesino y su charanguito Foto: Periódico “Chijini Cultural” 1979 \j^hiVhfjZhZdWhZgkVZcZa{gZV gjgVa Zh ¸^begZh^dcVciZ¹ DW" hZgkVX^c/&.+'"&.-*!edgfjZ ZcZhiVhgZ\^dcZhgZhjaiVhZgjcV kZg\ZcoV cd hVWZg gVh\jZVg X]VgVc\d#6egZcYZcYZhYZbjn c^dh# Adh X]VgVc\j^hiVh gjgVaZh! i^ZcZc Za dYd hZch^WaZ n cVij" gVabZciZ Ãcd! iVcid eVgV iZb" eaVg Xdbd eVgV Z_ZXjiVg Za ^ch" igjbZcid! 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