Contextual Melodic Dictations

Transcripción

Name:______________________
Contextual Melodic Dictations
Blank Answer Sheets
by Gilbert DeBenedetti
Listen to a melody and write it down!
1. Download these "Blank Answer Sheets" (pdf) from:
www.gmajormusictheory.org/MelDict/MelDict.html
2. Click and play one of the numbered melodies (mp3) on this web page.
3. Write the melody on the answer sheet. For extra credit write chords or accompanying melodies.
4. Download the "Solutions" page to check your work and get helpful hints.
You can also work off line. Download the melodies to your portable mp3 player or to a computer.
The beat will be established with a one measure introduction. Except where noted, melodies are two
phrases long. There are no rests in them, and they begin and end on the tonic.
Set 1. Stepwise Melodies
1. For extra credit write the chords in the spaces--letter symbols above the staff and Roman numerals
below.
&
#c
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key
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2.
? b 68 œ
key
#3
& 4˙
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3.
key
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? 6œ
b8
4.
key
www.gmajormusictheory.org
-1-
DEBENEDETTI: CONTEXTUAL MELODIC DICTATIONS, SET ONE
5. From Beethoven's violin concerto. One phrase of 4 measures, starting on ^5 (sol) and ending on ^2 (re).
There are rests at the end of the phrase. Oboe with other woodwind accompaniment.
Extra credit: Write first and last chords and type of cadence.
Cadence: ________________
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&
## c ˙
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key
? bb œ
6. No extra credit
___:
key
& b 68 œ
7. Extra credit: On the bottom staff notate the accompaning piano melody.
& b 68 œ
? # 34 œ
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8.
key
& b 68 œ
9. Extra credit: On the bottom staff notate the accompaning guitar melody.
V b 68
10.
&
œ.
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## c œ
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key
-2-
11. No extra credit
? b b 68 œ
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key
# # 3 ____
& 4˙
12.
___: ____
key
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13. Draw the stem and beam yourself.
? b b 68 œ
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key
14. From R. Schumann: "Chorale." The note at the end of measure 2 is held with a fermata.
There is a leap to tonic after the fermata. Otherwise the excerpt is conjunct, that is, all stepwise.
&
#c
___:
U
œ
key
15.
? # 68 œ
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key
& b 38 œ
16.
key
-3-
? # 68 œ
17. For extra credit write the bass.
? # 68
18.
? ## c
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key
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-4-
Set 2. Thirds and Fourths
in the Tonic Triad
A. The third between ^5 and ^3.
19.
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#6
& 8œ
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key
b b6
b
& b 8œ
20.
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key
21. The dotted-quarter, eighth rhythm
? ## c œ
22. Dvorak: Symphony No. 9 "From the New World", Movement 2. One measure of clicks precedes the
melody. The melody begins on ^3, and there is a ritard at the end.
Extra credit: What is the accidental in the accompaniment in measure 6? ____
The accompanying line with the accidental continues with what notes? ____ ____ ____
bbb c
b
& b œ
bbb
b
& b
B. The fourth betweeen ^1 and ^5.
23. Extra credit: The term for this kind of accompaniment is _______________ .
?c œ
-5-
DEBENEDETTI: CONTEXTUAL MELODIC DICTATIONS, SET TWO
### c
24. Melody played solo once. Then played as a 2, 3 and then 4 part round.
&
œ
25. ____
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& b 68 œ
key
26.
? b b 34
œ
### 6
& 8œ
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27.
key
28. Extra credit: On the top staff, write the top notes of the piano accompaniment.
Accompaniment
## 6
& 8 œ.
? # # 68 œ
Melody
bc
b
&
œ
29.
-6-
C. The third between ^1 to ^3
? # # # # 68 œ
#
30.
31. Vivaldi: Violin Concerto Op. 3 No. 12, Movement 2. Four clicks establish the beat. The excerpt
ends on ^2. Write a half note rest at the end of the last measure.
&
#### c ˙
b
& b b 34 œ
32.
? # # 68 œ
33.
? bb c œ
b
34.
####
35. "Kumbaya." There is a descending fifth between the first and second phrase. No rests
&
&
####
cœ
-7-
Traditional
? # 68 œ
36.
?b c œ
37. The dotted-eighth, sixteenth rhythm.
38. Mozart: Violin Concerto No. 4, first movement. There is no introduction. Write without rests in
measures 1, 2 and 3. Write rests for beats 2, 3 and 4 in measure 4.
&
## c
œ
39. Beethoven: Symphony No. 1, movement 2.
The tempo is established with clicks for one full measure plus two beats.
The first note is a pick-up on ^5.
The last measure is incomplete; write a quarter-note and a quarter-note rest.
& b 34 œ
&b
-8-
Set 3. Intervals in V7
For extra credit fill in the accompanying melody or chords
A. The third between ^7 and ^2.
40.
? # 68 œ
?# 6
8 œ.
41. Write the stem and beam for the first note.
bbb c œ
b
&
? bb b c
b œ
42. Mendelssohn: Violin concerto, movement 2. There are two measures of introduction,
and the melody starts on ^5.
&43 œ
&
œ
œ
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œ
˙.
DEBENEDETTI: CONTEXTUAL MELODIC DICTATIONS, SET THREE
B. The third between ^4 and ^2
43. Notate first line only; for extra credit notate both lines
? b b 68 œ
b
? bb
b
44. Buffalo Gals, a fiddle tune
&
&
## c œ.
##
#### c
45. Beethoven: Sonata Op. 2, No. 3, Movement II.
&
&
####
œ.
? b b 68 œ
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46.
? bb
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- 10 -
DEBENEDETTI: CONTEXTUAL MELODIC DICTATIONS, SET THREE
47. Vivaldi: Violin Concerto Op. 3, No. 9, Movement 3, Excerpt begins on ^5.
## 6 œ
& 8
&
##
48. Beethoven, Violin Concerto, Movement III.
The Introduction is from later in the movement.
# 6 j j
j
& # 8 ‰‰ œ œj ‰ œ œj ‰ œ œj ‰
Introduction:
## j
& œ
&
##
j
œ œ œ œ œ
-11 www.gmajormusictheory.org

Contextual Melodic Dictations

Transcripción

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