A r t i s t i c D o s s i e r

A r
t i s t i c
D o s s i e r
Nilce Silvina Enrietti Loisa
Spain: 0034 672 966 094
Italy: 0039 351 084 3904
[email protected]
www.natinsel.com
Cover photo: “The End” © Silvina Enrietti 2005. This is the third work of “The Beginning-The Journey-The End” Project. With the support of Mr.
Miguel Benincasa, one copy of this work was donated for an auction organized by Alfarcito Foundation, in collaboration with Quintana Art Producer,
for the benefit of the El Toro community, Salta province. The event was developed at Buenos Aires City Club in 2012, since then, the work is part
of a private collection.
INDEX
Index .....................................................................................................................................pg. 3
Exhibitions and Conferences ............................................................................................ pg. 4
Introduction ........................................................................................................................ pg. 9
Selected Works .................................................................................................................... pg. 10
Appendix I feedback ........................................................................................................... pg. 26
Appendix II press ................................................................................................................ pg. 30
Appendix III invitations - catalogues ................................................................................ pg. 42
Appendix IV audiovisual presentations ........................................................................... pg. 52
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EXHIBITIONS AND CONFERENCES
Since 1994 I have been continuously exhibited my artwork, throughout Argentina
and abroad. Most important of the last 10 years:
2016 San Luis, Argentina. Sierra de las Quijadas National Park. Exhibition.
2016 Frías, Santiago del Estero, Argentina. Exhibition.
2016 Frossasco, Italy. Talk and audiovisual projection about cultural and biological diversity of Argentina. Organized under the auspices of a counsellor of the
Commune.
2016 Torino, Italy. Neko Art Gallery. Exhibition.
2015 Entre Ríos, Argentina. El Palmar National Park 50º aniversary. Exposition.
2014 Salta, Argentina. National University of Salta. Presentation of the photographic work criteria, survey techniques and investigation methodology chosen
for the realization of the book “El Rey National Park Ecology”.
2013 Buenos Aires City. Ethnographic Museum. Photographic performance for musical live presentation by Nuria Martínez, sharing the release of “Domesticación”, book of Dr. Bibiana Vilá and Dr. Hugo Yacobaccio, Eudeba Publisher.
2013 Buenos Aires City. Konex Cultural Centre. Images performance incorporated into the aesthetic proposal of “Arbolito” musical group, as feedback per
allow using their music in the audiovisual presentation projected in Germany that year.
2013 Exhibition Gallery of the Argentine Embassy, Berlin, Germany. Exhibition and multimedia presentation, supported by the Ministry of Foreign Affairs,
International Trade and Worship of the Nation and the National Park Administration.
2013 Municipal Library, Quincinetto, Italy. Talk and audiovisual projection of the photographic work about Argentine biodiversity and Municipal Auditorium,
Quincinetto, Italy. Conference and audiovisual projection about cultural and biological diversity of Argentina. Organized by Faber Teater, under the auspices of
Quincinetto Government, with participation of Associazione Piemontesi nel Mondo.
2013 Trenque Lauquen, Buenos Aires Province. Exhibition and talk about the relevance of the natural resources and the biodiversity conservation in the future
human development. Invited.
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2013 2013 Buenos Aires City. Vaticano and Lavalle squares. Exposition about National Parks of Argentina and United States of America.
2012 Latin American Congress of Mammalogy, Buenos Aires City. Exhibition.
2012 Buenos Aires City. Aves Argentinas NGO Exhibition gallery. Exhibition.
2012 Buenos Aires City. Buenos Aires Jockey Club. Exhibitions and talks about the Human beings role in conservation topic. Organized by the Buenos Aires
City Government and Palermo Birdwatchers Club.
2011-12 Buenos Aires City. “Central Puerto” Art gallery. Exhibition.
2011 Pergamino, Buenos Aires Province. María Antonieta Art-restó. Collective Project for reflect on the current aesthetic demand. Invited.
2011 Buenos Aires City. IV Movies Scientist Festival, Argentine chapter, CINECIEN 2011, National Library. Exhibition and talk about the opportunity within the professional wildlife photography for the successful of conservation message.
2011 La Concepción Botanical Garden, Malaga, Spain. Two exhibitions. Invited.
2010 La Plata city, Buenos Aires Province. Bernardino Rivadavia Cultural Meeting room. Talk about the professional photography role in
the field work of scientific research projects.
2010-2011 Natural History Museum, Marseille, France. Three art exhibitions (VEZ, Babas del Diablo II and Visiones de Argentina) as part
of “Biodiversité”, big exhibition held to mark the International Year
of Biodiversity. At the opening ceremony I gave a conference about
Argentine biodiversity. Invited.
2010 I Latin-American Congress (IV Argentine) of Biodiversity Conservation, San Miguel de Tucumán city. Exhibition.
2010 Buenos Aires City. Agronomy Faculty of Buenos Aires University. Central pavilion. Exhibition. Invited.
2010 Buenos Aires City. Aves Argentinas NGO. Conference about
photographic works done at Argentinian High Puna (Norwest).
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2010 Buenos Aires City. Argentinian Natural Sciences Museum Bernardino Rivadavia. Exhibition and talks cycle on the human beings role in our own history.
Invited.
2010 San Salvador de Jujuy city. “The Biodiversity in the Bicentenary”, organized by the Government of Jujuy and the National Park Administration in order
to celebrate the International Year of Biodiversity. Exhibition. Invited.
2010 Buenos Aires City. “El Nombrador” Art Space, multidisciplinary exhibition.
2009-2010 Buenos Aires City. “Castorera” Cultural Dam. Exhibition.
2009 “Les Routiers” Gallery, Zürich, Switzerland. Collective exhibition. Invited.
2009 Buenos Aires City. Natural Sciences Faculty of the Buenos Aires University. “Darwin in Argentina”. Contribution to photo gallery. Invited.
2009 Buenos Aires City. Agronomy Faculty of Buenos Aires University. Central pavilion. Exhibition. Invited.
2008 Salta city. 2nd Latin American Congress of Arachnology - Sixth Meeting of Arachnologists of the Southern Cone. Exhibition. Invited.
2008 Buenos Aires City. National Library. III Movies Scientist Mercosur Festival, CINECIEN 2008. Exhibition.
2008 Buenos Aires City. Natural Sciences Faculty of the Buenos Aires
University. 3rd National Congress of Biodiversity Conservation. Exhibition.
2007 Buenos Aires City. National Parks Administration, Central Department.
© Samdra Falciglia 2012
2007 “Margen cero” Spanish magazine. Virtual exhibition (still online).
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2006 Buenos Aires City. National Circus School. Exhibition. Invited.
2006 Monte Grande, Buenos Aires Province. 10th Argentinian Convention of
Juggling, Circus and Stray Spectacles. Exhibition. Invited.
2006 Trenque Lauquen, Buenos Aires Province. Invited to participate
with two Art Works in the events held to commemorate the International Women’s Day.
2006 Buenos Aires City. Buenos Aires Zoo Temporary exhibitions Gallery. Exhibition. Invited.
2005 Buenos Aires City. Graduate Center of the Agronomy Faculty of the University of Buenos Aires. Exhibition. Invited.
2005 Corrientes city. “El Mariscal” Cutural Pub. Exhibition. Invited.
2005 Buenos Aires City. “El Crisol” Theatre. Creative challenge “El inicio-El viaje-El final”. 18 argentinian photographers of differents disciplines invited to
fulfil with a collective consign, given with a deadline of 7 days to develop central concept, research, shots, copies and montage. Invited.
2005 Córdoba city, Argentina. Council Art gallery. Invited by the Bella Vista Popular Library, Pedro Milesi Foundation.
2005 Córdoba city, Argentina. Bella Vista Popular Library, Pedro Milesi Foundation. Invited by the Library. Exhibition + meeting with women of the community and school children + workshop on Photoshop as expressive tool.
2005 América, Buenos Aires Province. Municipal Art Gallery. Invited by the Municipal Library. Exhibition.
2004-05 Buenos Aires City. Costanera Sur Ecological Reserve. Exhibition. Invited.
2004 Buenos Aires City. National Circus School. Exhibition. Invited.
2004 Buenos Aires City. Argentinian Natural Sciences Museum Bernardino
Rivadavia. Exhibition. Invited.
2004 Chubut city. Modern Art Museum. Exhibition.
2004 Trenque Lauquen, Buenos Aires Province. Photographic Essay presentation. Exhibition and talk-discussion on the expression and interpretation of
images representing the written word. With the participation of the Argentine
writer Andrés Rivera. Sponsored by the Local Government and Credicoop
Bank. Declared of Municipal Interest.
2004 Trenque Lauquen. Invited to participate of the events held to commemorate the International Women’s Day.
© Gertrudis Kupke 2013
2004 Santa Rosa, La Pampa Province. Municipal Culture Centre. Exhibition. Invited.
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Self Portrait taken the first day in Andalucía, Spain © Silvina Enrietti 2015
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INTRODUCTION
“The meaning appears in the space between the images, in the mood they raise in the beholder. The
flow of the sequence eddies in the river of his associations as he passes from picture to picture.… The
photographs are only objects upon which significance is spread like sheets on the ground to dry.… A
sequence of photographs, then functions as a little drama of dreams with a memory.… When a sequence is brewing, the feeling inside is akin to a storm gathering. Only when the storm has passed and
the photographs be like leaves all over the floor may I spell out among them the name of the force that
made communication.
Self-discovery through a camera? I am scared to look for fear of discovering how shallow my Self is! I
will persist however … because the camera has its eye on the exterior world. Camera will lead my constant introspection back into the world. So camerawork will save my life.”
Minor White
To create space to the voices we can’t hear. To uncover what the fear impedes seeing, to don’t remain silent, to inquire, to
continue seeing and reproducing the beauty: the Photography.
To don’t take away of its surrounding, to add options where seems there aren’t, to communicate when we don’t understand
the words, to, as Wim Wenders says “step out of his shell to be “on the other side” of the world, and thereby remember better, understand
better, see better, hear better, and love more deeply”: the Photography.
Below, the selected works will speak by themselves and, I hope, also speak for me.
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VEZ
photographic intervention
by Nilce Silvina Enrietti Loisa
© 2009 all rights reserved
VEZ conceptual details:
This work is an extrapolation of our intervention
over the life in the photographic intervention. In
this analogy, I chose the support of photographic
paper, at once resistant and liable to tear, as evident and expressive way of show the integration
of two historical moments in which we can be involved.
Involvement related with reparation, with sustainable use of the resources what is not only possible, but offer we opportunity to acquire higher
values and responsible us in construction of better society.
I did the theoretical investigation during my Field
Naturalist studies, taking classes of Evolutive Bi-
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ology, Ecology, Zoology, Morphological Botanic,
Heritage Interpretation, Environmental Education in Natural Reserves, Sustainable Development, Conservation and Entomology. Thinking
on the characteristic that leads to a human being
to start communication (or pretend to), knowing
in-depth the environmental problems and the unexpected of the other living beings adaptations to
pressures, I wondered how I could use the powerful reach of artistic language to warn about our
particular behaviour, since we have consciousness
of our own existence and the ability to apply it for
modify attitudes. The Art, expression of the human emotionality, indivisible part of the complex
social network, is the ideal tool to provide alternatives to a troubled world that leads directly to our
specie toward self-destruction.
VEZ descriptive details:
All the interventions have a background image + another stuck over it. The foreground images are torn
but not destroyed, allowing see, through the gap, a
fraction of background copy. Each torn pictures, at
foreground, depicts an ecosystem or a taxonomic
group; the background however is always the same,
a wasteland patch, without colour (despite it is a copy
on colour paper). Thus it contrasts, drastically, an image of Biodiversity as synonymous or augury of future and health with an extreme Disturbance image as
augury of the opposite: no health - no life - no future.
The partial tears of the front images, confer the embodiment into images of the current condition, still
at time of being repaired, of the environment we inhabit. The monotony of the background photo works
as a catalyst for what will our future generations see if
we don’t step up measures in order to produce a real
change.
VEZ used technique:
Analogue photography, film digitized with drum scanner, digital photography, printed in pearly surface photographic paper whose subtle texture suggests greater
realism into the image. Each work intervention was
done manual and specifically.
VEZ trajectory:
It was first exhibited in Buenos Aires City, since then
it has shown in several galleries of Argentina. During 2010/2011 its multimedia version (musicalized by
Master Diego Penelas) was projected at the Muséum
d´Histoire Naturelle de Marseille, France, beside other
two works of the author. During 2011 was exhibited
at La Concepción Botanical Garden, Málaga, Spain.
In several opportunities was exhibited beside its multimedia version and a conferences series and audiovisual projections.
VEZ four of the ten interventions that compose it:
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Calilegua National Park, Jujuy Province, Argentina
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Phyllomedusa boliviana, Baritú National Park, Salta Province, Argentina
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Cuevas, Jujuy Province, Argentina
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Liolaemus sp., Nahuel Huapi National Park, Neuquén Province, Argentina
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Babas del Diablo II (Devil’s Dribble II)
by Nilce Silvina Enrietti Loisa
© 2004, all rights reserved
In many Argentinian regions people call “Devil’s dribble” (Babas del Diablo) the spider web that, carried by wind, are
using juveniles of some species of spiders to get away from its mothers, searching its own place for living when adults.
Babas del Diablo II conceptual details:
The essential edition criteria and the constituent structural design
of this work was organized in order to create the propitious space
to think about the uncontrollable human characteristic of killing
motivated by aesthetic dislike.
The theoretical investigation was based on studies carried out
in aesthetic preferences through analysis of human behaviour
during the past century, mainly by zoologist Desmond Morris in
England who, also, includes ethnobiological, psychological and
anthropological researches.
During this time I conducted a series of surveys among children
and adults of both sexes, of the city and province of Buenos
Aires, on their way of connection with animals and plants and
ideology regarding the rights of living beings.
Babas del Diablo II descriptive details:
Shown in large size “ugly” animals, according to the collective parameter, + small photos arranged in series in which the last place
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represents the human being (explicitly or implicitly). The series
induce the equality character.
Babas del Diablo II used technique:
Analog photography, film digitized with drum scanner, digital
photography, printed in photographic paper, glossy surface which
gives subtly greater contrast and colour intensity.
Babas del Diablo II trajectory:
The first version of this work was gone across several Museums
and galleries of Argentina since 2004. Its multimedia version,
musicalized by the great musician Fausto Ferreiro, was projected at the Muséum d’Histoire Naturelle de Marseille, France, during
2010/2011, with two another works of the author (“VEZ” and
“Visions de Argentine”). Also, during 2011, was exhibit at La Concepción Botanical Garden, Málaga, Spain.
Babas del Diablo II seven of the thirteen works that compose it:
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18
19
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The Alluring!
© Sergio Bonzón 2011
Collective exhibition mounted in material frame and online platform, curated and produced by Sergio Bonzón.
The Alluring! conceptual details:
Since antiquity the idea of “the beauty” has
been the aesthetic conceptualization motive.
Currently we live in a time in which the exacerbation, the exaggeration and trivialization
nullify the enjoyment capacity. It’s in this context of the excess, in which we ask ourselves
about the excess of the beauty, meaning the
most beautiful: The Alluring!
The Alluring! my involvement:
Partial view of the reality, of what the
mirror gives back us. Visual bias, polari-
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ty: to be beautiful or not. Dualism: hideshow... The demand of to be fine, to be
beautiful, young, etc reaches all of us,
but... Is it enough to “Be”?
The Alluring! used technique:
Digital photography. Low exposure,
patience, a table lamp, a bit of makeup
and very curious to explore concepts
through images.
The Alluring! works:
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Self Portraits © Silvina Enrietti 2011
The Beginning - The Journey - The End *
* Call by Argentinean photographer Bárbara Domato.
Creative challenge that got to work under one main idea to 18 photographers, each one of different disciplinary field with distant techniques and
expression ways. The immediate, 7 days to develop the image, and the evanescent, the work was mounted and dismounted on a single day, they were
crossed by the collective curatorship through a complex shared creative process.
The Beginning - The Journey - The End my perspective:
The beginning is the end and in the end begins the new cycle. The work has
a dominant colour for each stage of the same being at movement. The crystallization of a movement that was visible in the past can now be constituent
of “dumb” image that, perhaps, to be visible at a future time.
The Beginning - The Journey - The End used technique:
The Beginning: analog photography. The Journey and The End: analog photography, film digitized by high level scanning, Photoshop digital montage.
Printed in pearly surface photographic paper to sustain and emphasize the
film grain.
The Beginning - The Journey - The End the works:
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The Beginning © Silvina Enrietti 2005
The Journey © Silvina Enrietti 2005
The End © Silvina Enrietti 2005
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Appendix I FEEDBACK
A few translations: these 4 opinions are about the Photographic
Intervention “VEZ” (described in pg 10-15 of this Dossier)
Thank you ver y much for the
shrewd eye, the creative intelle
ct, the aesthetic courage and the conser vation
message of all things we should
care for
better. Congratulations!
Claudio Bertonatti
d when I
dn’t understand an
di
I
ce
an
gl
st
fir
e
ctures!!
Good! In th
ality. Ver y nice pi
re
e
th
w
sa
I
,
od
to
unders
Fede 10 years old
Wonderful idea to take awareness of our stupidity. More promotion to
this clever work. Angelica Petzan
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Honestly, when I passed I saw the pictures one by one and thought “bad
people”! Who did that! Then, when I came back here I understood. Us…
Brilliant
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29
TXT magazine, November 2004
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Appendix II PRESS
Argentinian Wildlife Foundation magazine, April-June 2011 - Available printed and online:
http://www.vidasilvestre.org.ar/sala_redaccion/opublicaciones/revista_fvsa/?4000/Revista-Vida-SIlvestre115
Aves Argentinas NGO magazine, March 2011
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NGO Huellas digital newspaper, vol. 3 2012
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Another media
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35
36
37
38
39
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Story online: http://www.hispanovision.de/news/article/silvina-enrietti-expone-fotografias-de-los-parques-naturales-de-argentina-silvina-enrietti-stellt/
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Appendix III INVITATIONS - CATALOGUES
Argentinian Natural Sciences Museum, Bernardino Rivadavia - Brochure
Photographic essay presented in Trenque Lauquen - Brochure
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Costanera Sur Ecological Reserve - Poster
Movies Scientist Mercosur Festival, CineCien - Brochure
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ElectrizArte Gallery
Invitation
44
ElectrizArte Gallery
Brochure
Castorera Cultural Dam
Brochure
III National Congress of Biodiversity Conservation
Poster
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Quincinetto Goverment
Poster
46
La Concepción Botanical Garden
Poster
47
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Muséum d’Histoire Naturelle de Marseille
Poster
-the exhibit was extended until Dicember 2011-
Muséum d’Histoire Naturelle de Marseille
Diptych brochure
Argentine Embassy in Berlin
Invitation
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Argentine Embassy in Berlin
Diptych brochure
Appendix IV AUDIOVISUAL PRESENTATIONS
http://www.nilcenrietti.com.ar/Multimedia.php (click to browse)
Treasures of Argentina, audiovisual presentation projected in Berlin (in Spanish and German)
VEZ music by Diego Penelas (in Spanish, English, Italian and French)
Devil’s Dribble II music by Fausto Ferreiro (in Spanish, English, Italian and French)
A, el umbral, Photographic exhibition (in Spanish)
Photographic exhibition
Riesgos, the circus by Silvina Enrietti
(in Spanish)
ANUROS, animals in risk (in Spanish)
Most of my Artworks have as principal aim the sensitization about how much we need Nature for our
lives continuity. I think you may feel them, despite have texts (some only in Spanish)... I invite you to
enjoy with me the wonderful world of life!
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A common nice day in England © Silvina Enrietti 2015
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